Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Sir Thomas Lawrence
Portrait of Henry Dundas

ID: 94456

Sir Thomas Lawrence Portrait of Henry Dundas
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Sir Thomas Lawrence Portrait of Henry Dundas


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Sir Thomas Lawrence

1769-1830 British Sir Thomas Lawrence Galleries was a notable English painter, mostly of portraits. He was born in Bristol. His father was an innkeeper, first at Bristol and afterwards at Devizes, and at the age of six Lawrence was already being shown off to the guests of the Bear as an infant prodigy who could sketch their likenesses and declaim speeches from Milton. In 1779 the elder Lawrence had to leave Devizes, having failed in business and Thomas's precocious talent began to be the main source of the family's income; he had gained a reputation along the Bath road. His debut as a crayon portrait painter was made at Oxford, where he was well patronized, and in 1782 the family settled in Bath, where the young artist soon found himself fully employed in taking crayon likenesses of fashionable people at a guinea or a guinea and a half a head. In 1784 he gained the prize and silver-gilt palette of the Society of Arts for a crayon drawing after Raphael's "Transfiguration," and presently beginning to paint in oil.   Related Paintings of Sir Thomas Lawrence :. | Portrait of Mr and Mrs Julius Angerstein | Lady peel | Selina Peckwell | Self portrait of | Philadelphia Hannah |
Related Artists:
george bernard shaw
Born: 26 July 1856 Birthplace: Dublin, Ireland Died: 2 November 1950 (natural causes) Best Known As: The author of Pygmalion
Josef Hoffmann
painted Outside the Hall of the Gibichungs in 1876
Monamy, Peter
English Painter, 1681-1749 English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703






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